Peter and the Star Catchers

Recommended grades 4-6.  Dave Barry and Ridley Pearson attempt to answer the question, "How did Peter meet Captain Hook?"  in their prequel to J.M. Barrie's timeless tale of the boy who would never grow up, Peter and the Starcatchers (Hyperion, 2004).  In the first book of what is now a series, readers find Peter aboard a ship called the Neverland with fellow orphans, headed to be dropped in the hands of a loathsome Caribbean king.  On the way, Peter comes in contact with inexplicable magic that will change his fate forever.

Barry and Pearson craft a fun and fast-paced narrative, sure to keep readers entertained.  Published under Disney's publishing arm, the book has been optioned for a series sure to entertain fans of Pirates of the Caribbean and the many adaptations of Barrie's original work.  The authors provide convincing backstories while still allowing for the magic created by Barrie.  And for that, this Peter Pan fan is grateful.

Highly recommended, ****

Revolution

Recommended grades 7-10.  A love for all things historical pushed me to read Jennifer Donnelly's Revolution (Delacorte, 2010).  Donnelly draws from extensive research on the French Revolution and the family of Louis XVI to craft the dual narratives of 18th century actress-turned-radical-royalist Alexandrine and 21st century aficionado of teen-angst and musical theory Andi.

On the whole, the concept was fascinating.  Even those well-versed in French history can appreciate the depth of description and characterization of this most chaotic period.  The royalist perspective is rarely explored with such clear sympathy in the heroic narrative of liberté, egalité, fraternité.  


That said, the pace and flow of the novel left much to be desired.  Far too much time was spent on Andi's self-pitying diatribe, which even angsty teens themselves will be annoyed by.  In trying to speak for her audience, Donnelly may insult and alienate them.  There are so many aspects of this novel Donnelly may well have explored without wasting the vast majority of the novel on unmoving points and unconvincing relationships.

Ambivalent recommendation, ***